Livingston Taylor plays two nights at the Iron Horse Friday & Saturday, January 4th and 5th at 7PM
Chelsea Berry opens both nights.
Chelsea Berry opens both nights.
Chelsea Berry (opening for Liv Taylor)
Chelsea
Berry, who opens both nights, is a 29-year-old Alaskan born Boston
based singer/songwriter with the edge, power, and finesse of legends.
Livingston Taylor said she has “A voice of remarkable power and
control with a joyous soul. Brave and bright, Chelsea Berry is the real
thing. She draws the entire house into her world like moths to a flame.”
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World renowned jazz pianist Bill Charlap brings his trio to the Iron Horse Thursday, January 10th at 7PM
Bill Charlap
Bill Charlap
One of the world’s premier jazz pianists, BILL CHARLAP has performed and recorded with many leading artists of our time, ranging from jazz masters Phil Woods and Wynton Marsalis to singers Tony Bennett and Barbra Streisand. Since 1997, he has led the Bill Charlap Trio with bassist Peter Washington and drummer Kenny Washington,
now recognized as one of the leading groups in jazz. Charlap is the
artistic director of New York City’s Jazz in July Festival at the 92nd
Street Y, and he has produced concerts for Jazz at Lincoln Center, the
JVC Jazz Festival and the Hollywood Bowl. A two-time Grammy nominee,
Charlap is married to renowned jazz pianist Renee Rosnes, and the two often collaborate in a duo piano setting. In the spring of 2010, Charlap and Rosnes released "Double Portrait", their acclaimed duo piano recording on the Blue Note label.
"Charlap approaches a song the way a lover approaches his
beloved...when he sits down to play, the result is an embrace, an act of
possession. The tune rises, falls, disappears and resurfaces in new
forms as Charlap ranges over the keyboard with nimble, crisply swinging
lines, subtly layered textures, dense chords and spiky interjections.” -TIME Magazine
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Cheryl Wheeler plays two nights at the Iron Horse -Thursday and Friday, January 11th and 12th at 7PM
Cheryl Wheeler
Cheryl Wheeler
It hardly seems fair that Cheryl Wheeler
is as funny as she is gifted as a singer and songwriter. Wheeler uses
both to excellent effect, in her songs and especially in concert. If
you’re unfamiliar, listen to her new concert album “Greetings: Cheryl Wheeler Live,” where she sets up funny songs like “Pop Tarts and Spam” and “Lady Gaga’s Singing Program”
with funny stories. She does more than goof around, though: like many
performers with a wry sense of humor, Wheeler also has full command of a
finely honed sense of poignancy that follows laughter with a deep sigh.
It’s a powerful combination. Raised in a Maryland suburb of Washington
D.C., Wheeler moved to Rhode Island in the mid-’70s, so she’s
practically a native New Englander by now. Although she’s been releasing
albums — and good ones, at that — for decades, they represent but a
fraction of her catalog. Wheeler’s music lives mostly on stage, where
she often performs songs that never make it onto albums. In other words,
you’ll never know what you’re missing until you see her perform.
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Oliver Mtukudzi + Black Spirits at the Iron Horse on Wednesday, January 16th at 7PM
Oliver Mtukudzi + Black Spirits
Oliver Mtukudzi + Black Spirits
Oliver “Tuku” Mtukudzi is arguably the most powerful creative force to emerge from Zimbabwe in the last three decades. Carefully balancing compelling rhythms and accessible melodies with insightful lyrics, Tuku has built a vast body of work that is politically and socially relevant, yet entertaining and accessible to a worldwide audience. Throughout a career that spans more than 45 recordings and virtually every corner of the globe, he has remained committed to the live music scene of his homeland, where he and his band, The Black Spirits, continually play to enthusiastic audiences in even the most remote regions. Worldwide response to Mtukudzi’s music has been glowing. Parade called him “one of the few genuine innovators of the Zimbabwean music scene,” while Prize Beat in his native country proclaimed that his music “has been instrumental in strengthening our freedom, socially, politically and economically.” American blues/country/roots artist Bonnie Raitt has referred to him as a cross between soul shouter Otis Redding and reggae legend Toots Hibbert.
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“An extraordinary songwriter with a gorgeous voice” – Rolling Stone
“… a feisty poet with a soaring voice and a funky groove.” – Entertainment Weekly
“Paula is an original voice both in what she is saying and how she is saying it.” – Peter Gabriel.
Grammy winner and 7 time Grammy nominee Paula Cole has released six solo albums spanning an eighteen year career. The Lilith Fair icon has sold approximately three million albums and has performed with everyone from Peter Gabriel to Dolly Parton.
Cole’s emotionally deep and thrilling performances are a trademark.
Poetic and fiercely touching, intelligent writing makes Cole stand
apart. Her compositions have been covered by Herbie Hancock, Annie Lennox, and
others.. Paula Cole was raised in Rockport, Mass. in a musical family
with whom she and her daughter remain close. Cole is a scholarship
alumna from Berklee College of Music with a background
in jazz. Paula teaches and gives clinics in a spirit of giving back to
the circle of music. With a loving allegiance to her fans, she
maintains loyal communication online and after her live shows. She was
the first woman in history to solely produce and receive the Best Producer Grammy nomination for her work, “This Fire”, her second album released in 1996. The album's debut single, "Where Have All The Cowboys Gone" became an instant smash. The follow-up single, "I Don't Want To Wait" was a #11 pop hit single and the seminal theme song for the hit teen drama series Dawson's Creek.
From her top ten hits of the 1990’s to her more recent critically
acclaimed albums, Paula Cole continues to write, produce, record and
perform heartfelt, meaningful, lasting music that defies categorization.
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