Thursday, April 29, 2010

Celebrated country/folk icon Iris Dement graces the Iron Horse stage this Friday night at 7PM

One of the most celebrated country-folk performers of her day, singer/songwriter Iris Dement was born on January 5, 1961, in rural Paragould, AR, the youngest of 14 children. At the age of three, her devoutly religious family moved to California, where she grew up singing gospel music; during her teenaged years, however, she was first exposed to country, folk, and R&B, drawing influence from Loretta Lynn, Johnny Cash, Bob Dylan, and Joni Mitchell. Upon graduating high school, she relocated to Kansas City to attend college.

After a series of jobs waitressing and typing, Dement first began composing songs at the age of 25. Honing her skills at open-mic nights, in 1988 she moved to Nashville, where she contacted producer Jim Rooney, who helped her land a record contract. Dement did not make her recording debut until 1992, when her independent label offering, Infamous Angel, won almost universal acclaim thanks to her pure, evocative vocal style and spare, heartfelt songcraft. Despite a complete lack of support from country radio, the record's word-of-mouth praise earned her a deal with Warner Bros., which reissued Infamous Angel in 1993 as well as its follow-up, 1994's stunning My Life. Her third LP, 1996's eclectic The Way I Should, marked a dramatic change not only in its more rock-influenced sound but also in its subject matter; where Dement's prior work was introspective and deeply personal, The Way I Should was fiercely political, tackling topics like sexual abuse, religion, government policy, and Vietnam. In 1999, she collaborated with country man John Prine on his album, In Spite of Ourselves. Dement recorded four duets with Prine that earned her a Grammy nod the following year.

Tickets for Iris Dement with Jeffrey Foucault this Friday, April 30th are available here or by calling NBO at 586-8686.

Wednesday, April 28, 2010

Harmonic and Witty Folk-Pop Duo Buskin & Batteau play Iron Horse this Sunday, May 2

David Buskin & Robin Batteau bring their “irresistible amalgam of melodic, sensual pop, folkie grit and killer wit” (The Washington Post) to Northampton on Sunday, May 2. Buskin (piano, guitar) and Batteau (violin, guitar) will be accompanied by virtuoso percussionist Marshal Rosenberg and Robin Batteau’s younger brother, Brook, whose raw and soulful sound has been likened to Bryan Ferry, Kid Creole, David Byrne and Prince, opens the show.

Following a 13-year hiatus, Buskin and Batteau, returned to the studio last year to record their fourth CD, Red Shoes and Golden Hearts. The classically-trained artists, who describe themselves as “hopelessly romantic,” “defiantly immature” and “usually hungry,” have been Clio-winning jingle writers (“The Heartbeat of America” for Chevrolet, “All Aboard Amtrak” and “I’m Lovin’ It” for McDonald’s, among others) and have written songs that have been recorded by such notable artists as Judy Collins; Astrud Gilberto; Ladysmith Black Mambazo; Johnny Mathis; Bette Midler; Anne Murray; the Oak Ridge Boys; Peter, Paul & Mary; and Tom Rush (with whom they got their start in 1979 as his backup band). With their mix of talent, showmanship, Everly-crisp vocal harmonies and what Stephen Holden of The New York Times called their “by turns acerbic, funny and plaintive” music and commentary, Buskin & Batteau are consummate entertainers in their own right.

“Their harmonies and wonderful presence onstage is as captivating as ever,” says Ron Olesko, host of “Traditions” on WFDU-FM in New Jersey, who called Buskin and Batteau the highlight of 2009’s Northeast Regional Folk Alliance (NERFA) conference. Boston music critics tag the duo as “post-folkies on cruise control, sexy and magical,” and describe their latest release as “acoustic heaven.”

As a duo, Buskin & Batteau have performed on London street corners, in New York’s Carnegie Hall and at folk festivals throughout the U.S. They also have shared Grammy, Emmy and Gold Record Awards and have performed and recorded with a host of Americana favorites. More information on them, as well as a few choice songs, can be found online at www.buskinandbatteau.com.

Tuesday, April 27, 2010

Eccentric Aussie Diva Sia plus Girl in a Coma play Pearl St. Wednesday, May 5th

Sia Furler– the multidimensional Australian artist who provided backing vocals on Zero 7 tracks, wrote songs for Christina Aguilera's upcoming studio release and had her cult-favorite single "Breathe Me" featured on "Six Feet Under" – is a rare breed of performer. Her unreal ability to convey emotion through vocal control is unprecedented in the indie-rock realm; her talents give her the ability to stay largely under the radar while still generating a huge following of dedicated fans. Sia's soulful, jazz-inspired voice, mixed with her penchant for creating music that's slightly genre-bending (pop meets rock meets indie meets disco meets electronic), make listening to any one of her albums an aural adventure.

Opening for Sia is Girl in a Coma, a three-piece all-female punk-rock band who provide the perfect compliment to the Australian singer's edgy persona. Girl in a Coma have made quite a name for themselves in the rock circuit, starting from scratch in their homebase of San Antonio, Texas. The band got their feet wet by playing local gigs in punk-rock clubs and parties, then toured across the country extensively before catching the ear and interest of the legendary Joan Jett. After signing on to Jett's label, Girl in a Coma was granted the ability to extend their talents to many more listeners, drawing inspiration from their own personal heroes – Morrissey, The Smiths and of course, Jett.

Girl in a Coma is touring to promote their 2009 release, "Trio B.C." Sia's fifth studio album, "We Are Born" will be released in June.

Friday, April 16, 2010

The Family of the Year and Willy Mason play the Iron Horse on April 28th.

The dynamic of Los Angeles sextet Family of the Year seems ripe for a reality show — the six members, all in their 20s, share a house in the Happy Valley section of L.A. and have just released their debut LP, “Songbook.” The group is anchored by brothers Joseph (vocals/guitar) and Sebastian Keefe (drums/guitar).

Watch the video for "Surprise" (this is before Meredith Sheldon joined. You may recall her from behind the register at the old Dynamite Records in Northampton.)

But their lifestyle, as described by Sebastian in a recent interview with Blast, is less “Jersey Shore” and more typical family — hence the name. Originally called Bogie Ogreton, they decided to change the name at the suggestion of their friends, family and manager.

“(Family of the Year) was nice-sounding, and we kind of evolved into a family, the six of us,” Keefe explained. “We all live together in the same house and we all travel together … so it was kind of fitting.

“It might have some kind of irony in it,” he went on. “Often what seems to be a perfect family on the outside ends up being really bad on the inside. … We’re all very honest. We certainly aren’t ashamed of showing our feelings and … that we have problems.”

Some of the internal conflict stems from sibling bickering courtesy of the Keefes, Sebastian admitted. “We are both very opinionated people, so a lot of good comes out of that but there is a lot of disagreement,” he acknowledged. “(But) we’re brothers, so we can disagree without as much consequences as other people. … We heat up quickly, but we also cool down quickly.”

For “Songbook,” Family of the Year is following the Radiohead “In Rainbows” model, making it available through their website for an optional donation, in addition to traditional outlets like iTunes and Amazon.

“We basically want people to have our music, is the number one priority,” Keefe said. “It doesn’t matter how much money they give us.” Though Keefe cites among their primary influences The Beach Boys, The Beatles, Simon and Garfunkel, and Bob Dylan — all of which have a clear presence throughout “Songbook” — the members’ personal tastes are more varied.

“We listen to everything from Jay-Z to Fleetwood Mac,” he said.

The co-ed vocals courtesy of Joseph Keefe and Vanessa Jeanne Long are evocative of 1970s harmonizers like CSNY and Fleetwood Mac, but the songs incorporate modern indie rock elements and structures as well. Their music has already attracted the attention of Keith Lockhart and Ben Folds, who arranged an opportunity for Family of the Year to play with the Boston Pops last October.

At their house, most nights are spent recording in their basement studio, according to Keefe, a routine that he said has sped up the songwriting process.

“Living together and having this camaraderie … plays a huge role,” he said. “We’ve gotten quite good at just writing songs as a group. … We’ve been doing it so long that we can kind of churn them out.”

Hailing from a musical Martha’s Vineyard family (their father is also a songwriter), Sebastian said it was inevitable that he and Joseph would begin writing music together.

“We’ve been playing music together for forever, basically,” he said. “We grew up learning guitar together and playing in different bands in the same local scene. We kind of just naturally evolved into playing music together in a band.” --- Elizabeth Raftery/ Blast

Willy Mason is the other half of this co-headlining bill.

With a sound that recalls Bob Dylan and Johnny Cash along with the cynicism of grunge and punk, nobody could believe wry singer/songwriter Willy Mason was only 19 when he appeared on the indie scene. Born and raised on Martha's Vineyard, Mason grew up with his parents' love of folk music. He loved it, too, but his teen years brought Nirvana and Rage Against the Machine into his life. Mason found their political and social messages much easier to identify with and soon combined folk's softer and loose delivery with the revolutionary attitude of his new heroes.

Writing came easy now and the teenager had plenty of self-penned material ready when a family friend asked Mason to appear on his local radio show. As luck would have it, Sean Foley -- an associate of Conor Oberst and his band, Bright Eyes -- was driving through Cape Cod as Mason was on the air. Foley was captivated by Mason's song "Oxygen" and left his phone number at the radio station, setting off a chain of events that would have Oberst and Mason hanging out, doing gigs together, and touring America. BBC DJ Zane Lowe was also captivated by "Oxygen" and added it to his playlist when it appeared on Mason's debut, Where the Humans Eat, released in 2004. Tours with Rosanne Cash, My Morning Jacket, Evan Dando, Beth Orton, and labelmates Jenny Lewis & the Watson Twins followed. Here’s the song that got everyone excited, "Oxygen."

Family of the Year and Willy Mason play the Iron Horse at 8:30, Wednesday, April 28th. Get tickets here.

Monday, April 12, 2010

Broken Social Scenester Jason Collett brings his transcendent pop to the Iron Horse on Wednesday, April 21st at 8:30

One listen to Jason Collett's exquisite finger-plucking and Dylan-esque vocals on "Rave On Sad Songs" will have you completely hooked. The Canadian singer-songwriter is more than just the next big thing – his music transcends the boundaries of folk-rock, indie-rock and alternative-rock perfectly, providing enormous inspiration for aspiring musicians.

Collett's been making music since he was very young, drawing influence from iconic folk musicians, Bob Dylan and Kris Kristofferson. The performer's entrance into the professional music scene came when he joined the band, Broken Social Scene, but has since decided to hone his solo talents, releasing five studio albums since 2001. His most recent studio release, March's "Rat a Tat Tat," has garnered incredibly positive reviews across the board. Online magazine PopMatters.com said of Collett's fifth album, "His songs are smooth and effortless, his singing adventurous and evolved."

Pitchfork states, "While so many insurgent folkies treat sonics and structure as afterthoughts, Collett suffuses his music with a level of playfulness and variety that's reflective of his membership in the acclaimed indie-rock collective Broken Social Scene."

Collett plays the Iron Horse with special guests Zeus and Bahamas Wednesday, April 21st at 8:30. Get your tickets here.

Casiotone for the Painfully Alone needs friends Friday, April 30th at the Iron Horse at 10PM

Owen Ashworth, the man behind music project Casiotone for the Painfully Alone, is a film-school dropout. But it's evident that Ashworth has held onto this passion, given his penchant for combining his musical creations with visually-stimulating animated features – all works that can be viewed on the band's Web site.

Formed by Ashworth in 1997 and changing with the tides ever since, Casiotone for the Painfully Alone's music is electronically influenced, characterized by ultra-mellow beats, keyboards and complemented with Ashworth's ability to create soulfully-stirring lyrics.

"I mean, it sort of started as short stories," Ashworth said of his songwriting in an interview with Radio UTD. "That's interesting to me, making up an interesting good story, you know? I think that just came from being a fan of music and listening to like the Willie Nelson or Otis Redding records that my parents would play as a kid and listening to these songs and never occurring to me that they would be necessarily true stories, they just seemed like they were really well-written songs."

Though largely a one-man operation, Ashworth's artistic mindset makes him highly receptive to working with other talented musicians on his compilations; utilizing trombones, guitars and cornets to give his music depth and dimension.

Casiotone and the Painfully Alone is currently touring with Magical Beautiful across the U.S. to showcase music from the latest album, "Vs. Children." Boston's Pants Yell! round out the bill and play first.

Tickets for the Iron Horse show Friday April 30th at 10PM can be had here.

Here We Go Magic play the Iron Horse Thursday April 29th at 10PM

Like many bands, Here We Go Magic has the leadership of a frontman. Accomplished artist Luke Temple, however, goes above and beyond what's typically expected of a band leader – the concept of the group was largely based on his own creative notions.

Grown out of Temple's Williamsburg, Brooklyn residence, the five-piece Here We Go Magic released a self-titled debut in 2009, garnering much critical acclaim from reviewers who were already big fans of Temple's talents. The Here We Go Magic project is a far cry from the frontman's earlier work, which included a raw, folk-rock sound reminiscent of, as Rolling Stone describes, a "Graduate-era Simon and Garfunkel." Even Death Cab for Cutie frontman, Ben Gibbard, said of Temple in the Rolling Stone feature, "That guy's ****ing great, an amazing songwriter ... His voice alone is so damn good – one of the prettiest voices in all of indie-rock, hands down." While different from his acoustic roots, Here We Go Magic displays Temple's desire to evolve musically, taking his inate ability to craft poetic lyrics and backing them with a psychedelic-pop/electro-folk sound. The track, "Fangela," (video below) pays tribute to Temple's skillful guitar-playing, slowly transitioning into a synth sound reminiscent of a Phoenix or Grizzly Bear song. "Tunnelvision" follows the same concept, blending acoustic sounds with electric-pop, and seamlessly layering in Temple's light, melodic voice.

Here We Go Magic plans to release their second full-length studio album, "Pigeons," (above) in June, currently embarking on a jam-packed touring schedule to expose listeners to their new beats. Their latest song off of their new album, "Collector," is available for sampling on the band's MySpace page: http://www.myspace.com/herewegomagic.

Captivating locals Neighbors open. Get your tickets here.