
“I began to write just for the joy of it,” says Ford, reflecting on the past few years. “I realized that I was just me, and for the first time I understood that was enough. A lot of this album is coming out of healing that I’ve done. The knowledge that in all grief there is joy, and in all joy there is grief.”
Recorded during a blissful Vancouver summer at the studio of co-producer and multi-instrumentalist John Raham, Obadiah came to life with the help of an intimate assembly of guests. Trish Klein of The Be Good Tanyas lay down yards of velvety smooth electric guitar, while next-door neighbor Caroline Ballhorn, contributed vocals to “Gospel Song” and “Hey Little Mama.” Ford’s landlord even dropped in to play keyboards, as Cuban style chords go back and forth with warm Wurlitzer licks on the playful “Like You Better.” By putting her faith in an assortment of capable companions, Ford let the songs unfold naturally, embracing the little experiments and happy accidents that give the album so much character.
“Not being in a band allowed me to feel less worried about things working out in a certain way,” she admits. “I felt a lot of trust with the direction people were going in, and they added a lot of their own feel.”

“That’s the only way I know how to record,” says Ford of the sessions. “To me it’s easier. You have fewer decisions to make if you know you just have to get it right in that moment. I like that pressure and that immediacy.”
A true storyteller with a voice that defies comparison, Ford’s greatest talent is her ability to inhabit completely the mind of her song’s protagonists. On “Firecracker,” she’s a hard-drinking, deal making son-of-a-gun that talks to angels with a wry smile. On “Gospel Song,” she looks back on her family life through the eyes of country preacher. It’s a gift she attributes to her journey through motherhood.

Perhaps the most stunning and heartfelt example of this can be found on “Lost Together,” a song that speaks to the heart of the baby boom generation. Its cathartic poetry is written from the perspective of a mother looking back on her life, and features Ford’s mother’s harmonies right alongside her own: “Oh were we lost together, you know we were side by side losing everything. We were just a pair of kids. Oh, the stupid things we did. In the madness they were callin’ the revolution.”
Though in many ways Ford’s journey is just beginning, Obadiah is a lasting testament to a life fully lived, whether it be her own or that of a character from her songbook.
“What are the words I want to give people?” asks Ford. “What are the messages I want to leave about the story of my life? About recovery and healing?”
She pauses for a moment, as if to reflect on each of the 13 songs, then continues with a smile.
“I feel good about the messages that came through.”
Frazey Ford, who plays on the Canadian Lilith Fair shows, performs at the Iron Horse on Thursday, July 29th at 7PM. The Sweet Remains open. Tickets here.
No comments:
Post a Comment