Al Anderson is probably still best known for his 22-year stint with roots rock renegades NRBQ, though he's distinguished himself as a gifted songwriter and solo artist since striking out on his own. Born in Windsor, CT, Anderson was raised in a musical family, and after developing a taste for country music via the radio, he picked up a guitar and was proficient enough to begin playing with a local band, the Visuals, at the age of 11. (An out of print EP, Little Al, featured home recordings of Anderson made the year before.) After playing with several local teen combos, Anderson ended up playing guitar with a band called the Six Packs, who in 1966 changed their name to the Wildweeds. In 1967, the first song Anderson wrote for the band, a tough R&B-influenced tune called "No Good to Cry," became a massive hit on the East Coast and was picked up for national distribution by Cadet Records. While the song briefly cracked the Billboard Top 100 (and was covered by a Florida band called The Hour Glass, who in time would evolve into The Allman Brothers Band), the Wildweeds never managed to grow beyond their massive regional popularity, and their sole full-length album, a self-titled effort released by Vanguard in 1970, found them moving into a country-rock direction shortly before they broke up. (A compilation of the Wildweeds' Cadet-era material was released in 2002.)
In 1971, shortly after the Wildweeds folded, Anderson signed on as guitarist with NRBQ, following the departure of original guitarist Steve Ferguson. Anderson's love of country, R&B, rockabilly, and jazz made him the perfect match for the ever-eclectic group, and along with his blazing fretboard work, Anderson contributed more than a few memorable songs to the group's catalog, including "Ridin' in My Car," "It Comes to Me Naturally," "Crazy Like a Fox," and "A Girl Like That." In 1972, still owing Vanguard an album under the Wildweeds' contract, Anderson cut his first solo set (simply called Al Anderson), featuring NRBQ bandmates Terry Adams and Tom Staley, and Wildweeds bassist Al Lepak. In 1989, Anderson quietly released his second solo album, Party Favors, and collaborated on tunes with noted songwriter John Hiatt. Over the next several years, Anderson began concentrating more and more on his songwriting and became disenchanted with NRBQ's busy tour schedule. After a tune Anderson wrote for Carlene Carter, "Every Little Thing," became a massive hit on country radio, Anderson left the band, saying he had "no hard feelings. It was a great band before, and will be a great band after."
While Anderson occasionally toured as a guitarist-for-hire for a number of country acts, he devoted the bulk of his time to his songwriting, and in time landed tunes with some of the biggest Nashville hitmakers of the 1990s, including Trisha Yearwood, LeAnn Rimes, Alabama, the Mavericks, and Deana Carter. Anderson did find time to cut another solo album in 1996, the raucous roots rock set Pay Before You Pump, as well as the 14-track After Hours in 2006 and most recently Pawn Shop Guitars. If there were to be a new Chuck Berry, it might be the guy who wrote, played and sang "I Do My Drinking On The Weekend" ... guess who? Big Al Anderson and The Balls, all A-list studio cats (Chad Cromwell and Glenn Worf from the Mark Knopfler Band, Reese Wynans, from Stevie Ray Vaughn’s Double Trouble, and local multi-talented music guru Jim Chapdelaine) play with Al because it’s the most fun they have, and it’s this band who will join him for these rare New Year’s Eve shows. The most fun you have all year may come on the last night.